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Emperor Who Introduced the Greek Language Art and Culture to the Grecoroman World

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sunday/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an art history class or spent time in a fine arts museum, chances are y'all know a lot about the men who "defined" their mediums. As with other subjects, nigh of what nosotros larn about fine art history today still centers on white men from Europe and, later, the United States. In reality, in that location are so many more artists of all genders to acquire from and appreciate.

Here, we're specifically taking a await at only some of the women who have had lasting impacts on their art forms. From some of the fine art world's nigh iconic pioneers to its almost unsung heroes, these women artists all had a mitt — and, in some cases, all the same take a hand — in irresolute the world of fine art and how we define it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Eatables

Laura Wheeler Waring was an creative person and educator who taught at Cheyney University in Pennsylvania for more thirty years. Subsequently studying the work of painters like Cézanne and Monet while abroad, she returned to the United States, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Picture show Stills (1977–80). series. Photos Courtesy: Museum of Modern Fine art (MoMA)

Lensman Cindy Sherman was function of the Pictures Generation during the 1980s, and is mayhap most well known for her series of Untitled Motion picture Stills (1977–80) — self-portraits in which Sherman "posed in the guises of various generic female motion picture characters, among them, ingénue, working daughter, vamp, and alone housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.

Yoko Ono

A still from the performance Cut Piece, 1964, and a motion picture of the installation Half-A-Room, 1967, as seen at the Museum of Modernistic Art in New York City in 2015. Photos Courtesy: Museum of Modern Fine art (MoMA)

Yous might outset call back of Yoko Ono as a musician and activist, just she's besides an accomplished functioning and conceptual artist. Ono was considered a pioneer in the performance art movement, earning the nickname the "Loftier Priestess of the Happening".

Ane of her nearly revered works, Cut Slice, was a performance she first staged in Japan; Ono sat on stage in a nice suit and placed scissors in forepart of her, and, in an human activity of daring vulnerability, invited audience members to come on stage and cut away pieces of her habiliment. "Art is similar breathing for me," Ono has said. "If I don't do it, I get-go to choke."

Betye Saar

Betye Saar's Blackness Daughter'southward Window, 1969 (full and detail). Photos Courtesy: Museum of Modern Art (MoMA)

Earlier becoming a printmaker and activist, Betye Saar studied pattern and was employed as a social worker. A printmaking elective changed her entire career trajectory — and, in turn, part of the trajectory of art history.

Saar was part of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the play tricks is to seduce the viewer," Saar has said. "If yous tin get the viewer to expect at a work of art, and so you might be able to give them some sort of bulletin."

Frida Kahlo

People look at Frida Kahlo'south 1939 painting Las Dos Fridas at the World Forum of Culture in 2007, which was held in Mexico. Photograph Courtesy: Alejandro Acosta/AFP/Getty Images

It'south rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from United mexican states, she is best known for exploring themes like expiry and identity through her self-portraits. Kahlo often used bold, brilliant colors to create her symbol-rich works, and was regarded as 1 of the most influential artists of the Surrealist motility.

Yayoi Kusama

A viewer photographs within the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors showroom at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young historic period, but she's also known for her hyper-real sculptures, polka dots, installations, and so much more than. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms serial, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Quondam Outset Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more than mutual in portraiture writ big in the mid-19th century. Odds are that you recognize Sherald'southward work — and her signature grayscale skin tones — as she was the kickoff Black woman to consummate a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her series, Pelvis Series Red With Yellow in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known as the mother of American modernism, you likely associate Georgia O'Keeffe with her paintings of New Mexico'south landscapes, flowers, skulls, and, but maybe, the skyscrapers of New York Urban center. In the 1920s, she was the first adult female painter to gain the respect of the New York fine art world, all by painting in her unique mode.

Adrian Piper

Adrian Piper wins the Gold Lion for best artist in Okwui Enwezor'south biennial exhibition All the World's Futures, part of the 56th Venice Biennale in 2015. Photograph Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York Metropolis. She used her work to question society, identity, and racial politics past enervating the audience to confront truths virtually themselves. She often challenged people on the streets of New York to approximate her race, socio-economical class, and gender — all while dressed every bit a Black man with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat's poses in front of a photograph in her exhibition Our House Is on Burn at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Bureau/Getty Images

Shirin Neshat left Iran in 1974 to written report art in Los Angeles, California — earlier the Iran Islamic Revolution took place. She is best known for her photography, film, and video work, much of which explores the human relationship betwixt Islam's cultural and religious systems and women. Moreover, Neshat's works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front end of her installation at the Guggenheim Museum. Photograph Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer's work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that act as meditations on various concepts, such as trauma, knowledge, and promise. One of her more than notable works, I Odor You lot On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photograph Courtesy: Art Gallery of Ontario (Ago)

Much of Rebecca Belmore's art addresses identity and history — and, in item, houselessness and the voicelessness of the First Nations People in Canada. Every bit an Anishinaabekwe artist, she works to raise awareness around the prejudice, violence, and attempted erasure of Ethnic N American culture. In 2005, she was the first Indigenous woman to represent Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photograph Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is ameliorate known for her installation art and sculptures — like the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual fine art were the main styles shaping the fine art world.

Mickalene Thomas

Mickalene Thomas' A Little Gustation Outside of Love, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by pop culture and popular art, Mickalene Thomas oft embellishes her paintings with rhinestones and uses colorful acrylic paints. In her piece of work, Thomas centers Blackness American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal piece of work The Dinner Party. Photograph Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early Feminist Art movement. As exemplified in her iconic work The Dinner Party, her installation pieces oft examine the role of women in history and culture — in the 1970s and before. While at California State Academy in Fresno, Chicago founded the first feminist art program in the United states.

Augusta Savage

Augusta Barbarous with 1 of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Athenaeum of American Art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating breathtaking sculptures, oftentimes of Black folks, Roughshod founded the Savage Studio of Arts and Crafts in Harlem in 1932, and, a few years after, she became the first Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Mod Art (MoMA)

Known for her provocative operation fine art practices, Carolee Schneemann is considered the progenitor of "trunk fine art". (Just look upwardly her nearly famous work, Interior Scroll, and you'll meet what we mean.) She used her body to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal guild.

Nan Goldin

Nan Goldin'south Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin'south work challenges traditional power relations. In addition to documenting New York Metropolis'southward queer subculture mail-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) past Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this wait similar an Andy Warhol to you? Well, that's the thought! Elaine Sturtevant, who went by her last proper name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-right copies of big-name artists' work.

Some artists and critics encouraged her efforts, while others became quite aroused. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art culture.

Ruth Asawa

Various hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa's last public commission was the Garden of Remembrance at San Francisco Country University, which was created to recognize Japanese Americans who were interned during World War 2.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November 8, 2007 in New York City. Photograph Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the age of 9. She uses her photography to examine social norms, and, in doing so, displays diverse subcultures in formal portraits — but in a way that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

All the same from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an creative person, author, theorist, and assistant professor who won an Impact Award at the Indiecade Festival in 2020 and the Creative Honor from the Gender Justice League in 2016. She believes pedagogy is the path to liberation and uses VR and art to address global issues such as racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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